ROGER
MARSHALL
Every
so often, destiny has its way. Talent, charisma, good looks, hard
work, and an innate sense of artistry converge to create musical
magic. Even more amazing, the jaded record industry actually
notices, on occasion, seizing the moment to the delight of
million. But this is not that story.
No, for
Roger Marshall & the Law, getting a shot was never that easy. For
Roger in particular, nothing has been easy. Here’s a man who set
out for a career in music over 30 years ago. He’s been signed by
one of Nashville’s most prominent procedures and record
executives, but that early career momentum unraveled with little
fanfare.
He was the first to record one of the biggest smash singles in the
history of country music, but his version was never released. And
he was stricken with cancer in his prime, forced to put down the
musical ambitions that had always driven him.
No,
this isn’t a tale about planets aligning, fortuitous occurrences,
and overnight success. Instead, it’s a lesson in persistence and,
at the same time, a remarkable example of simple devotion to
music. “My dad was a musician, and I was raised around it,”
Roger Marshall says. “His love for country and bluegrass was a
big influence on me.” “My first gig was playing guitar in
the DeeJay Band. That was 1972. I started my own group, the
Silver Dollar Band in 1977.” Marshall’s band opened for The Byrds,
Loretta Lynn, Tanya Tucker, Carl Perkins, and more, eventually
drawing the attention of noted country producer Harold Shedd
(Alabama) who cut an album with Marshall.
When
Shedd was tapped to run Mercury Records, he approached producer
Russ Zavitson and publisher Larry Shell and encouraged them to
continue the work he had started with Marshall. Though the album
was completed, investors backing the project pulled out before the
first single got off of the ground. Shedd, of course, went
on to have enormous success with a signer named Billy Ray Cyrus
whose hit “Achy Breaky Heart” was actually first recorded by, yes,
Roger Marshall. The Fort Wayne, Indiana native continued to tour,
hoping for another chance. Tragically, a discovery in the
mid-eighties drastically changed those plans. “I ended up
with testicular cancer,” he says. “It moved into my lymph nodes
and went all through my body. I was supposed to play a show in
Detroit and the doctor just said, `No, you’re done.’ It broke my
heart.” “I was having radiation five days a week and
couldn’t do anything. I gave up my home, quit playing music, and
sold all of my equipment. I was hurting every day and night and
they couldn’t find the source. Finally, they went in and took out
seven feet of my intestines. It was pretty bad. They thought I
wasn’t going to live and couldn’t believe it when I pulled
through. I gained 40 pounds and beat the cancer. That just shows
you that nothing is out of the question.”
To
celebrate his recovery, Marshall did what came naturally. He put
a band together and started touring. Aside from the two years he
was battling cancer, he’s spent his entire adult life making
music. “We were just having a good time,” he says. “Playing
those Moose lodges. I went and saw Russ a few times. Eventually,
I started thinking there’s room for an old guy like me. The music
we all grew up loving just wasn’t being represented. People just
don’t get to hear as much of the country rock thing as they used
to.”
Zavitson was skeptical. “Last summer he came to town, found me
and said he wanted to make another record. He told me he’d
survived cancer, fought through a lot, and wanted another go. I
tried my best to dissuade him. He just said, `I want my shot
back. This is all I ever wanted to do.’” At
face value, it was the most improbable of propositions. A 30-year
club circuit vet fronting a band that features two of his sons, a
guitar player named Meatball, and a bassist who looks like Kramer
from Seinfield.
On top of that, the band, well, brings it. “We play with a little
punch,” Meatball admits. “We don’t want to just sit there like
we’re playing the Holiday Inn. I might be old, but I’m kickin’.”
Despite
the odds against them in this world of airbrushed country,
Zavitson began to believe none of it mattered nearly as much as
the music. As Marshall sings in the group’s new single, “You
never know what you might find hiding in the wide open.” Maybe
destiny will have its way yet.